November 21, 2023
Open Call 2021
November 10, 2023
Timeline FSTP
November 10, 2023
Open Call 2015
November 10, 2023
Open Call 2013
November 10, 2023
Open Call 2010
November 10, 2023
On pages and stages
November 10, 2023
Archiving transitions: On writing the obvious
November 10, 2023
On writing #Act I
August 8, 2022
“Αre you here?” zine
August 1, 2022
Trajectory of an Idea
August 1, 2022
Crater
August 1, 2022
Chain – a movement game
August 1, 2022
Gardening the holy purple
August 1, 2022
A Casual Meditation for Anywhere and Anytime
August 1, 2022
It’s not about if you will love me tomorrow_Part 2
August 1, 2022
Democracy Not Found
August 1, 2022
Everywhere
August 1, 2022
This is not My Body
August 1, 2022
Magic Carpet Designing
August 1, 2022
HOWEVER | How to Levitate | How to Disappear Completely
August 1, 2022
Navigation in space-s
July 28, 2022
Rodia Vomvolou
July 28, 2022
Emmanouela Pechynaki- Mamounaki
July 28, 2022
Angelos Papadopoulos
July 28, 2022
Aggeliki Nikolaidou
July 28, 2022
Stefania Mylona
July 28, 2022
Ariadne Mikou
July 28, 2022
Liza Kardami
July 28, 2022
Natalie Zervou
July 28, 2022
Betina Panagiotara
January 25, 2022
A vocal dance performance or a concert of bodies
January 21, 2022
What remains after the end of a performance?
January 21, 2022
Viewing as a practice
January 17, 2022
Point of view
January 16, 2022
Social and cultural references of the female body
January 15, 2022
Relationships between movement, text and object
January 5, 2022
Without respect but with love
January 4, 2022
Between solo and group works
January 3, 2022
Meeting with ethnography and working with the voice
December 29, 2021
A need to return to the body
December 26, 2021
Sculptural dimension of body materials
December 19, 2021
What is popular? What moves the masses?
December 18, 2021
Collaborations and community dance
December 11, 2021
Minimal aesthetic, highlighting the body as visual tool
December 10, 2021
Closures and a return to the joy of dancing
December 5, 2021
From form to content, using the stage as canvas
January 3, 2021
Poetics of object
January 3, 2021
Dance, arts and mental health
November 18, 2019
In search of a sense of freedom
July 20, 2019
Dance as experience
March 20, 2018
Collectivity and one-off projects
March 20, 2018
A practice of collecting other peoples’ practices
September 26, 2016
Shifting our perception of dance itself
September 26, 2016
Working collectively and creating a practice
September 26, 2016
Between real uncertainties and artistic responses
September 26, 2016
Choreographing and performing in the here and now
September 26, 2016
Fallow times and solidarity
September 26, 2016
Working with archives
September 26, 2016
Dancing with reflections of predominant cultures
September 26, 2016
How the body behaves while talking
April 10, 2016
Transforming in relation to time
January 23, 2016
Working with dreams
January 23, 2016
From the political to the ceremonial
January 20, 2016
Dance and mental illness, on kinesthetic empathy
December 13, 2015
Dance theatre in constant motion
November 29, 2015
Investigating archetypes in the relationship between self and other
November 28, 2015
Apparent invisibility and public space
November 27, 2015
Enabling communities, empowering groups
November 24, 2015
Inbetween power structures and physical translations
November 16, 2015
Autobiographical landscapes
April 12, 2014
Questioning the notion of authorship
September 25, 2013
Setting choreographic problems
September 24, 2013
Failure and casual mystics
September 23, 2013
Panstylistic idioms
March 14, 2012
Fusion of performing arts and new media
February 5, 2012
Offstage choreography, on presence and the invisible
November 11, 2011
From ancestral body to embodied self
November 6, 2011
Investing in the process
October 28, 2011
Personal experience merging with the political
October 14, 2011